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Aisha Tyler Interview | The Tim Ferriss Show (Podcast)

Tim FerrissTim Ferriss
Howto & Style7 min read149 min video
Aug 24, 2018|3,822 views|63|5
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TL;DR

Aisha Tyler shares how embracing failure, discomfort, and authenticity is key to creative success, stressing that regret from inaction is far worse than the sting of trying and failing.

Key Insights

1

Aisha's father's advice to 'grab it by the balls and twist' encouraged her to be aggressive and tenacious in pursuing her goals, viewing failure not as an endpoint but as part of the process.

2

She advocates for pursuing art for art's sake by keeping a day job, which provides the freedom to create without financial pressure, enabling a focus on joy and experience.

3

The comedy economy contracted due to market saturation, economic downturns, and the proliferation of comedy on television, leading to intense competition for stage time.

4

Aisha learned to hone her craft through relentless stage time, embracing bombing as a necessary step to becoming funnier, contrasting with the idea that success comes without mistakes.

5

Authenticity is paramount in creative pursuits; meaningful art connects because it is truthful and comes from personal experience, differentiating good work from great work.

6

Directing her first feature film, 'Axis', was a highly aggressive, seven-day shoot on a $200,000 budget, a testament to her ability to learn and adapt under extreme pressure.

The power of a tough childhood and a father's advice

Aisha Tyler recounts being raised by a single father after her parents' divorce, who instilled in her a tenacious spirit with his terse but potent advice: 'Whose day is it?' 'It's my day.' 'What are you gonna do?' 'Grab it by the balls and twist.' This mantra, while unconventional, fostered an attitude of aggression and resilience. She attributes her natural optimism partly to her father's preternaturally positive outlook and partly to his 'walk it off' philosophy, which discouraged self-pity and encouraged perseverance. This upbringing taught her that 'the world is unfair,' but one must still get up and make a life. This mindset is crucial, as she believes the path to success is paved with—and often goes directly through—failure. Her father’s approach, while possibly dancing along boundaries of propriety, was about equipping her with the skills to land when thrown into the air, a stark contrast to an overprotective style that might prevent children from experiencing necessary failures.

The formative experience of 'self-inflicted wounds'

Aisha's father used to ask his daughters for stories of 'self-inflicted wounds'—mistakes that were entirely their own fault. This practice, which inspired her book of the same name, was a deliberate way to initiate conversations about risk and failure. She argues that successful people are not those who avoid mistakes but those who actively engage in risk and court failure. This is instructive because many people avoid starting endeavors for fear of failure, yet there’s no way around it. She shares a personal anecdote from age nine, when she broke her arm riding her bike home from jujitsu camp. Her father’s refusal to pick her up, insisting she ride home on her own despite the injury, taught her a profound lesson: 'No one is coming to save you. You have to save yourself.' While it felt cruel at the time, it fostered self-sufficiency and resilience, preventing her from agonizing over what has been done to her as an adult. This experience highlights the crucial developmental skill of learning to navigate disappointment and failure, which become increasingly consequential if not experienced and processed in childhood.

Transitioning from a dream job to a creative calling

After graduating from Dartmouth with a degree in government and environmental policy, Aisha landed what she considered her dream job working for a conservation organization that transformed blighted urban land into parks in underserved neighborhoods. Despite the meaningful mission, she found herself miserable. This existential crisis led her to realize the absence of creative expression in her life. She identified stand-up comedy as the most accessible path to the stage, requiring no agent or connections, and began performing. Crucially, she maintained her well-paying day job for a long time, a strategy she advocates for, believing it provides the freedom to pursue one’s art for its own sake without financial desperation. This allowed her to treat comedy purely as an experience, not dependent on payment, until she felt ready to transition fully.

The contraction of the comedy economy and the struggle for stage time

Aisha explains that when she started in stand-up, San Francisco was a 'crucible for original comedy,' but the comedy economy was contracting. This contraction was driven by three factors: a glut of comedians and clubs, economic downturns, and the rise of comedy on television, which might have led more people to believe they could do it themselves. The result was a dramatic decrease in comedy clubs and intense competition for limited stage time. To get the necessary practice—the '10,000 hours'—comics had to travel to lesser-known venues in places like Sacramento or Fresno, performing for small audiences, often other comedians, a situation she describes as 'savory masochism.' The lack of stage time made it difficult to work out new material or refine existing jokes, as performing in front of club owners meant being polished rather than experimental.

Bombing as the ultimate teacher in comedy

Aisha asserts that any comedian who claims they've never bombed is lying, and that bombing is the only way to truly get funnier. She recalls an open mic night in the back of a laundromat where she received not a single laugh, a moment that became 'deliciously' funny to her later because it rendered her impervious to future failures. The key, she explains, is the comedian's discipline to never 'tap out': giving up is true failure. She recounts the story of Bill Burr enduring a brutal heckling at a radio show, sticking to his set despite immense pressure. This tenacity, she believes, is understood and respected within the comedy community, where the person with the microphone ultimately has the power. Her own experience of bombing taught her to analyze what did and didn't work, write down what hit, and iterate, rather than relying on approval. This mental fortitude is essential, as comedy, unlike music or writing, is entirely dependent on audience reaction.

Directing 'Axis' and the power of aggressive, deadline-driven creation

Aisha describes her feature film directorial debut, 'Axis,' a thriller about a recovering alcoholic actor in Los Angeles whose life unravels over an afternoon. The film's unique aspect is that it takes place in real-time, entirely within a car, with the lead actor (who was unknown at the time) as the only one on screen, while other actors communicate via phone. Facing Hollywood's typical pushback on creative choices, she opted for crowdfunding, raising about $200,000 via Kickstarter. The production schedule was hyper-aggressive: seven days for a feature, with the lead actor performing over 60 pages of dialogue daily. By shooting with three cameras simultaneously, they essentially 'got the movie in the can' within the first few days, allowing subsequent time for creative exploration. This intense, deadline-driven approach, she found, eliminated time for fear or anxiety, forcing decisive action and a pragmatic acceptance of any mistakes made. The film's experimental nature and success, winning awards and securing distribution despite its shoestring budget and tight schedule, earned her immense pride and confidence.

The struggle with workaholism and the pursuit of rest

Aisha admits to pathological workaholism, where she receives a dopamine release from completing tasks and finds executing work enjoyable. This intensity, however, raises concerns about becoming an uninteresting artist, as she believes rest, daydreaming, and experiencing life are crucial for storytelling. She emphasizes a daily practice of reminding herself to rest, socially engaging more, and seeking out new experiences to avoid boredom and maintain a connection to the human condition. While acknowledging the enjoyment derived from a workout, she notes the constant battle between work effectiveness and personal well-being. Her approach to managing workaholism involves applying the same drive to leisure activities, aiming to integrate 'fun' into her routines and not being afraid to try things that may not work out, as the regret of not trying is far more potent than the discomfort of failure.

The wisdom of 'everything you want is on the other side of fear'

Reflecting on her life philosophy, encapsulated by the billboard quote 'Everything you want is on the other side of fear,' Aisha discusses her current fears, primarily driven by the ambition to continue making films and her struggle with workaholism. She finds that the things that most interest her now don't necessarily engender the same fear as they used to. Her greatest fear is not failure, but rather the regret of not trying. She believes that living aggressively and milking the most out of life means embracing discomfort and actively seeking experiences. This is why she champions pushing beyond perceived limitations, as the confidence gained from such endeavors can transfer to future projects. She concludes that the only uncrowded market is greatness, and to achieve it, one must be brave enough to court failure, emphasizing that 'rough drafts are not a clean business.'

Common Questions

Aisha Tyler realized she was miserable in her dream conservation job because she wasn't doing anything creative. She saw stand-up comedy as the only way to get on stage without needing connections or agents, so she started studying and doing open mics while keeping her day job.

Topics

Mentioned in this video

Companies
Teeter

A well-known brand for inversion tables since 1981, safety-certified by Underwriters Laboratories and registered with the FDA as a Class 1 medical device. Tim Ferriss and Aisha Tyler both use their inversion products for back health and performance.

Alamo Drafthouse

A cinema chain in Austin, Texas, where Aisha Tyler's film Axis had a theatrical run.

LegalZoom

A company providing legal services for businesses, including formation, tax law management, contract review, and NDA creation, offering upfront pricing.

Instagram

Social media platform where Aisha Tyler is active.

Automattic

The company behind WordPress, led by CEO Matt Mullenweg, who used LegalZoom for business needs.

The CW

Television network that airs the improv show Whose Line Is It Anyway?, hosted by Aisha Tyler.

Twitter

Social media platform where Aisha Tyler is active.

Silversun Pickups

A band that Aisha Tyler toured with for a couple of dates, making free music videos to gain directing experience.

Better Booch

A brand of kombucha preferred by Aisha Tyler as a mixer for her glutathione supplement.

FX

Television network that airs the Emmy award-winning animated comedy series Archer.

The Punch Line

A comedy club in San Francisco that was still active during Aisha Tyler's early career and hosted high-end talent.

CBS

Television network that airs Criminal Minds and The Talk, both shows Aisha Tyler was involved with.

Weezer

A rock band mentioned by Tim Ferriss as an example of a band that might play at a radio station concert.

Nickelback

A rock band mentioned by Aisha Tyler as an example of a band that might play at a radio station concert, often receiving criticism.

Life Aid

A brand of kombucha preferred by Aisha Tyler as a mixer for her glutathione supplement.

Alibaba

An example of a company whose founder, Jack Ma, attributed early success to having 'no experience, no money, and no plan,' forcing innovative thinking.

Brainwash Cafe

A laundromat in San Francisco famous for hosting open mic comedy nights, where Aisha Tyler had a memorable 'bombing' experience early in her career.

LIFEAID

A brand of kombucha preferred by Aisha Tyler for mixing with supplements.

People
Tim Ferriss

Host of The Tim Ferriss Show, who interviews Aisha Tyler and discusses his own experiences with procrastination and creative pursuits.

Jack Ma

The founder of Alibaba, who stated that his company's early advantage was having no experience, money, or plan, forcing them to think outside the box.

Matt Mullenweg

WordPress lead developer and CEO of Automattic, who has used LegalZoom to form his company. His company is valued at over a billion dollars.

Brian Posehn

An alternative comic who emerged from the San Francisco comedy scene.

Bill Burr

A comedian known for his tenacity on stage, particularly for an infamous set where he was booed but refused to leave. Aisha Tyler interviewed him about this experience.

Aisha Tyler

Award-winning director, actor, comedian, best-selling author, podcaster, and activist. Guest on The Tim Ferriss Show, discussing her diverse career and personal philosophy.

Debbie Millman

Past guest on The Tim Ferriss Show, mentioned as a creative individual.

Malcolm Gladwell

Author of the '10,000-hour rule' concept, which Aisha Tyler applies to the practice required for stand-up comedy.

Quentin Tarantino

A famous director who, according to Aisha Tyler, has a story about his first film being 'unwatchable,' illustrating that even great artists start with spectacular failures.

H.R. Giger

The designer responsible for the iconic 'Alien' creature design, whose work was a result of the 'Jodorowsky's Dune' project failing.

Richard Pryor

A legendary stand-up comedian whom Aisha Tyler admired, thinking he was 'an alien' because his talent seemed supernatural.

Garry Shandling

A disciplined writer and comedian, known for his consistent daily writing practice, contrasted with Aisha Tyler's more intuitive approach.

John Logan

Creator of the show Penny Dreadful, whom Aisha Tyler met at Comic-Con and later shadowed in Ireland.

Amanda Palmer

A creative musician, wife of Neil Gaiman, quoted as saying that artists need to 'have a life' to create art.

Brandon Stanton

Past guest on The Tim Ferriss Show, mentioned as a creative individual.

Jack Canfield

An author known for the quote 'Everything you want is on the other side of fear,' which Aisha Tyler selected for a book she contributed to.

Kevin Rose

A friend of Tim Ferriss who jokingly described the taste/consistency of Lypo-Spheric Glutathione as 'horse semen.'

Adam Robinson

Past guest on The Tim Ferriss Show, mentioned as a creative individual.

Marc Maron

An alternative comic who emerged from the San Francisco comedy scene.

Ryan Gosling

A famous actor mentioned as an example of a recognizable name that a studio might request for a film, in contrast to an unknown actor.

Janeane Garofalo

An alternative comic who emerged from the San Francisco comedy scene.

Neil Gaiman

A writer and husband of Amanda Palmer, whose audiobook of 'The Graveyard Book' is highly recommended by Tim Ferriss.

Wes Anderson

A film director mentioned as an example of an artist whose work, despite its quality, may not be liked by everyone, illustrating the concept that pleasing a critical mass is sufficient.

Bill Hicks

A popular comedian mentioned as an idol, exemplifying successful comics.

Andrew Dice Clay

A comedian from a 'golden era' who achieved popularity on TV, influencing the comedy club boom.

Christopher Nolan

A film director mentioned as an example of an artist whose work, despite its quality, may not be liked by everyone, illustrating the concept that pleasing a critical mass is sufficient.

Lana Kane

A super spy character voiced by Aisha Tyler on the FX animated comedy series Archer.

Sam Kinison

A comedian from a 'golden era' who achieved popularity on TV, influencing the comedy club boom.

John McPhee

A writer for The New Yorker, mentioned by Tim Ferriss as an example of a wordsmith he cannot emulate, reinforcing the idea of harnessing one's unique abilities.

Joan Rivers

A pioneer in comedy who performed stand-up in strip clubs, highlighting the evolution of dedicated comedy clubs.

Media
Archer

Emmy award-winning animated comedy series on FX where Aisha Tyler voices Lana Kane.

Watch Dogs

A video game where Aisha Tyler's voice can be heard.

Penny Dreadful

A show created by John Logan, which Aisha Tyler visited the set of in Ireland to shadow for directing experience.

Axis

A thriller feature film directed by Aisha Tyler that premiered in 2017, won an award at the Newport Beach Film Festival, and had a theatrical run. The story is about an expatriate Irish actor living in Los Angeles who is trying to turn his life around.

Def Comedy Jam

A popular comedy show that Aisha Tyler mentioned as representing a specific style of black comedy she didn't emulate.

Alien

The iconic creature design, attributed to H.R. Giger, which emerged as a positive outcome from the failed 'Jodorowsky's Dune' project.

Gears of War 3

A video game where Aisha Tyler's voice can be heard.

Lana Kane

Character voiced by Aisha Tyler on FX's animated comedy series Archer.

Halo: Reach

A video game where Aisha Tyler's voice can be heard.

The Walking Dead

A TV show Aisha Tyler watches while working out, categorizing it as 'fantastic junk' or 'good workout show.'

Whose Line Is It Anyway?

Hit improv show hosted by Aisha Tyler on The CW.

The Wire

A TV series whose last season Aisha Tyler shadowed for several days to learn about directing.

The X-Files

A TV show Aisha Tyler watches on Hulu during her workouts.

Jaws

A film mentioned as an example of an incredible creation with an interesting origin story.

Deutschland 83

A TV show Aisha Tyler watched during her workouts, describing it as 'pretty great.'

The Talk

Emmy-winning daytime show on CBS where Aisha Tyler was a co-host for seven seasons.

Friends

A popular TV show where Aisha Tyler had a long-standing character arc as the first African-American in such a role.

Fear The Walking Dead

A TV show Aisha Tyler watches while working out, categorizing it as 'fantastic junk' or 'good workout show.'

Jodorowsky's Dune

A documentary about an unmitigated disaster of an attempt to make a film, which ironically led to the assembly of talent that went on to create other incredible things.

Criminal Minds

Hit CBS show in its 13th season, where Aisha Tyler is a regular and has also directed episodes.

Vikings

A show whose set Aisha Tyler visited in Ireland to shadow directors, after tweeting about her love for it.

The Magicians

A TV show Aisha Tyler watches while working out.

Girl on Guy

A podcast hosted by Aisha Tyler, where she interviewed Tim Ferriss, inspiring him to start his own podcast.

Mad Max 2: The Road Warrior

A movie Aisha Tyler watched with her father at a young age, contributing to her love for films.

Terminator

A movie Aisha Tyler watched repeatedly in high school, further solidifying her love for films.

Frankenstein's monster mob

An analogy used to describe an audience turning against a comedian, quickly and violently, like a mob from the Frankenstein story.

Die Hard

A movie Aisha Tyler watched with her father at a young age, contributing to her love for films.

Ha!

A short-lived precursor network to Comedy Central where Aisha Tyler watched and studied stand-up comedy.

Rocky

The film series featuring the character Rocky, which Bill Burr supposedly ridiculed during his Philadelphia performance.

Girl on Guy Podcast

A previous podcast hosted by Aisha Tyler, where she interviewed Tim Ferriss, which contributed to his decision to start The Tim Ferriss Show.

More from Tim Ferriss

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