Key Moments
Murray Carter Interview | The Tim Ferriss Show (Podcast)
Key Moments
Bladesmith Murray Carter on mastering Japanese craft, language, and finding purpose.
Key Insights
Murray Carter details his journey from Nova Scotia to becoming a 16th-generation bladesmith in Japan.
Learning Japanese was crucial for deeper cultural immersion and opening doors to new opportunities.
Japanese bladesmith traditional emphasis on precision cutting performance over durability.
The process involves laminate construction, forge welding, and meticulous heat treatment for grain refinement.
Carter emphasizes that teaching involves guiding students to observe and trust their senses.
Successful bladesmiths possess both aptitude and a humble, tenacious, team-oriented attitude.
EARLY FASCINATION AND THE CALL OF JAPAN
Murray Carter's journey began in Halifax, Nova Scotia, with a youthful fascination for martial arts, military history, and tools, particularly knives. At 15, attending a karate competition ignited a deep interest in Japanese culture. This led him to enroll in a karate dojo, setting the stage for his eventual move to Japan. By eighteen, he was on his way to Japan, intending to continue his karate studies, unaware of the profound path that awaited him.
AN UNEXPECTED DETOUR AND THE GIFT OF LANGUAGE
An unfortunate knee injury during a karate practice in Japan led to a three-week cast and a period of immobility. His karate Sensei, Choyu, gifted him a Japanese language textbook. This unexpected turn became a pivotal moment, igniting a passion for the language. Carter realized that learning Japanese opened doors to deeper cultural understanding, friendships outside his immediate interest, and ultimately, possibilities he hadn't considered, including the craft of bladesmithing.
DISCOVERY OF BLADESMITING AND INTENSIVE STUDY
While exploring on a borrowed scooter in Japan, Carter stumbled upon a small shop displaying an astonishing array of knives. This encounter with intricate Japanese blades sparked his curiosity. After returning to North America, he pursued rigorous Japanese language studies, completing four years of academic coursework in just twelve months. This mastery of language allowed him to return to Japan and formally apprentice with bladesmith Sakamoto Sensei, a 16th-generation master.
THE ART AND PHILOSOPHY OF JAPANESE BLADESMITING
Japanese bladesmithing prioritizes precision cutting performance above all else, contrasting with Western blades often built for durability. This philosophy influences every step, from steel selection to forging and tempering. Carter explains that Japanese knives commonly utilize a laminate construction, combining hard steel for the edge with softer steel for toughness and shock absorption, embodying the 'have your cake and eat it too' principle.
FORGE WELDING AND GRAIN REFINEMENT TECHNIQUES
The creation of laminated blades relies on forge welding, an ancient technique of heating two metals until their molecules fuse. This process, distinct from melting, allows layers to maintain their inherent characteristics. Carter utilizes a solid fuel forge, burning purified coal (coke), to achieve the necessary temperatures. Crucially, hammering the steel during cooling refines its grain structure, a critical factor in achieving a superior cutting edge and blade performance.
TEACHING AND IDENTIFYING POTENTIAL IN BLADESMITHS
Carter now teaches bladesmithing workshops, focusing on developing students' observational skills and the ability to trust their senses – seeing if blades are straight, identifying trouble areas, and understanding how heat treatment affects the steel. When hiring, he looks for both aptitude and attitude: a willingness to learn, humility, tenacity, and teamwork. He believes the best way to assess these qualities is by placing candidates in a real work environment to observe their performance and potential for growth.
THOUGHTS ON JAPANESE SAYINGS AND TOOL MASTERY
Carter shares Japanese sayings that resonate with him, such as 'Isogaba Ma-ware' (when you feel rushed, pause and regroup) and 'Ishi no ue nimo san-nen' (perseverance, or sitting on a stone for three years). He emphasizes the Japanese principle of mastering one's tools, particularly knives. He advises users to protect their knives' edges by keeping them away from sinks, other utensils, and using them solely for their intended purpose, highlighting that proper care and sharpening are attainable skills.
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Common Questions
Murray Carter grew up in Halifax, Nova Scotia, and became interested in martial arts and military history. At 15, he attended a karate competition, which sparked his fascination with Japan and led him to enroll in a Karate Dojo.
Topics
Mentioned in this video
The Canadian province where Murray Carter was raised and where his interest in martial arts and Japanese culture began.
The current location of Murray Carter's bladesmithing business and where he resettled after his time in Japan.
A prefecture on the island of Kyushu, Japan, where Murray Carter first traveled to continue his karate studies.
A place where Murray Carter was sent by Sakimoto Sensei to learn about forge welding, as it was their area of expertise.
One of the four main islands of Japan, where Kumamoto Prefecture is located.
The origin place of Shito-ryu karate.
A city in Japan, near Sakai, where Murray Carter studied traditional Japanese fishmonger knives.
A special place near Osaka specializing in traditional Japanese fishmonger knives.
A city in Japan known for its cutlery industry, where Murray Carter learned about the financial aspects and marketing of the knife business.
A movie that inspired Murray Carter at a young age, contributing to his fascination for tools, knives, and weapons.
A movie mentioned as an example of traditional, strict apprenticeship models, which was contrasted with Murray Carter's experience with Sakimoto Sensei.
A movie mentioned as an example of how revered samurai swords are in popular culture.
An American actor and martial artist, mentioned by Tim Ferriss in the context of Aikido and exaggerated knife thrusts.
The dean of the Japanese Studies program at the University of British Columbia, who interviewed Murray Carter and authored most of the Japanese textbooks.
CEO of Automattic and lead developer of WordPress, who has a fascinating process for auditioning people for hiring.
A master Japanese bladesmith, raised in Nova Scotia, Canada, who spent 18 years in Japan learning the craft and was declared an alien of extraordinary ability by the INS.
The bladesmith who Murray Carter apprenticed with for six years and who asked him to take over the family business as the 17th generation Yoshimoto bladesmith.
A cutlery company known for its Japanese-style santoku shaped blades with Granton edges.
A Major League Baseball team, referenced as an example of a 'Moneyball' approach to talent scouting and team building.
The company led by Matt Mullenweg, known for its auditioning process for hiring.
An e-commerce company, products from which are often opened with knives, prompting a discussion on proper knife care.
Murray Carter's bladesmithing company, known for Japanese-style knives and active on social media platforms like Facebook and Instagram.
A book Murray Carter was fascinated with as a child, liking its themes of knights, heroism, and fighting for a cause.
A book about the Oakland Athletics' analytical approach to baseball, used as an analogy for talent scouting in the context of hiring bladesmiths.
The first of three instructional books authored by Murray Carter on general bladesmithing and traditional Japanese techniques.
A full-contact martial art that Tim Ferriss learned about and practiced in Japan, finding it similar to wrestling.
A Japanese martial art that Tim Ferriss considered joining during his time in a Japanese high school.
A style of karate practiced by Murray Carter, characterized by a higher, more mobile stance compared to other traditional forms.
A more well-known version of karate from which Chito-ryu originates.
A type of knife edge with scalloped depressions designed to reduce sticking of high-moisture foods, though Murray Carter views it as indicative of a blade that is too thick.
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