Key Moments
Lois Lowry | Full Q&A at The Oxford Union
Key Moments
Lois Lowry's Giver quartet began with a father's memory loss, exploring how memory shapes identity. The series evolved organically, with characters appearing to her and prompting new narratives.
Key Insights
Lowry's early aspiration to be a writer was solidified at age 10 after a letter to 'Jack and Jill' magazine was published, revealing her invented brother and foreshadowing her career in fiction.
The core inspiration for 'The Giver' stemmed from Lowry witnessing her father repeatedly forget the death of her sister, prompting the idea of manipulating memory to avoid pain.
The Giver quartet evolved organically; 'Gathering Blue' introduced Kira and a primitive setting, 'Messenger' featured Matt as the protagonist, and 'Son' focused on the birth mother, Claire.
Lowry views 'The Giver' as exploring concepts like memory manipulation and societal control, which have led to challenges in schools, not censorship, as parents often read the book and reconsider objections.
Lowry distinguishes between her fictional works like 'The Giver' and historical fiction like 'Number the Stars,' emphasizing her focus on personalizing history through individual stories to engage young readers.
The author believes books offer children a vital 'elsewhere,' providing choices and freedom, a concept exemplified by a letter from a 16-year-old gay reader who found courage in 'The Giver'.
The genesis of a writer through invented siblings
Lois Lowry's path to becoming an author began in childhood, nurtured by a book-filled home and a mother who read to her. By age 10, she knew she wanted to write. A pivotal moment occurred when a letter she wrote to 'Jack and Jill' magazine was accepted for publication. However, this brought a wave of panic, as she had invented a brother named David to impress counselors at summer camp. The letter, which she had forgotten writing, mentioned this fictional brother and a novel in progress, revealing her early propensity for storytelling and fabrication. This experience, far from deterring her, solidified her identity as a writer, even to the extent of creating fictional characters to navigate social situations.
The spark for 'The Giver': A father's fading memory
The profound inspiration for Lowry's seminal work, 'The Giver,' emerged during a visit to her aging parents in a nursing facility. While looking through a photograph album with her father, whose memory was beginning to fade, she witnessed him repeatedly forget the death of his eldest daughter, Helen, whom he had only been told about minutes earlier. This poignant experience led Lowry to ponder the implications of manipulating human memory. She began to consider a world where painful memories could be eradicated, questioning whether such a life, free from sadness and fear, would truly be a good one. This contemplation of selective memory and its impact on identity became the central theme for 'The Giver,' a story set in a future society that had chosen to eliminate pain and strong emotions.
The organic evolution of 'The Giver' quartet
Contrary to initial intentions, 'The Giver' unexpectedly evolved into a quartet of books, with each subsequent installment emerging organically from the last. After completing the first book with an intentionally ambiguous ending, Lowry received numerous letters from readers inquiring about the protagonist Jonas's fate. Years later, a new character, Kira, appeared in her imagination, leading to 'Gathering Blue,' set in a starkly different, primitive world. The connection between the two books became apparent when Matt, a character from 'Gathering Blue,' returned from a journey and mentioned meeting a boy named Jonas, subtly linking the narratives. This pattern continued with 'Messenger,' which focused on Matt's story, and finally 'Son,' which delved into the life of Gabriel's birth mother, Claire. Each book emerged from a character's appearance or a reader's question, shaping a complex interconnected world.
Navigating censorship and the power of 'elsewhere'
Lowry distinguishes between a book being 'challenged' and 'censored.' While 'The Giver' has faced numerous challenges, often stemming from parental concerns about themes like euthanasia (the 'release' of a newborn twin) and a 12-year-old boy bathing an elderly woman, it has rarely been outright censored. She argues that these challenging themes are necessary for children to process difficult realities in a safe, fictional context, preparing them for future encounters. The concept of 'elsewhere'—a place of new possibilities and freedom found within books—is central to her philosophy. She shared a powerful anecdote about a 16-year-old gay reader who found courage and a path forward in 'The Giver,' inspired to seek his own 'elsewhere' beyond the confines of his expected life. This underscores her belief in the transformative power of literature to open minds and offer hope.
Personalizing history through fiction
Lowry's work spans various genres, from realistic fiction to historical accounts and satire. She finds joy in moving between these forms, preventing artistic stagnation. For historical fiction like 'Number the Stars,' set during WWII in Denmark, her approach is to personalize events. Instead of merely presenting facts, she focuses on individual human experiences, drawing from historical accounts and personal anecdotes to create relatable characters. Her recent book, dealing with Pearl Harbor and Hiroshima, delves into the lives of specific individuals lost in these events, making history accessible and emotionally resonant for young readers. This method, she believes, allows children to engage with complex historical moments on a personal level, fostering empathy and a deeper understanding of humanity's past.
The lasting impact of books on young minds
Lowry's work, particularly 'The Giver' and 'Number the Stars,' has become a staple in school curricula, often sparking profound discussions and personal connections. She recounts a story from a fourth-grade teacher in Tennessee who used 'Number the Stars' to engage her students. The book's depiction of geography and WWII led to a passionate presentation by a Holocaust survivor, leaving a lasting impression on the children. The teacher's act of giving each child a Star of David pendant to hold as she read the final chapter created a palpable, unforgettable moment of connection to history and empathy. This anecdote highlights Lowry's hope that teachers will use literature not just as an assignment, but as a tool to ignite imagination, foster emotional intelligence, and impart enduring lessons about history and humanity.
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Common Questions
Lois Lowry was inspired to become an author from a young age, influenced by growing up in a household filled with books and having a mother who read to her. She knew she wanted to be a writer by age 10.
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Mentioned in this video
Lois Lowry's prominent novel, explored in detail regarding its inspiration from memory manipulation, its development into a quartet, and its reception including censorship.
The third book in The Giver quartet, featuring Jonas and Gabriel as main characters, and Matty as a teenager.
A humorous and satirical book by Lois Lowry, which was adapted into an animated film and led to the writing of a sequel.
The second book in The Giver quartet, which introduced Kira and depicted a primitive world, connecting to The Giver through a character's mention of Jonas.
The fourth book in The Giver quartet, focusing on Claire, the birth mother of Jonas's son, and her search for him.
A sequel to 'The Willoughbys', written after a movie adaptation was planned, featuring the parents thawing out 30 years later.
Lois Lowry's first book, a fictionalized account of her sister's death.
A historical fiction book by Lois Lowry set in 1943 Denmark, which tells the story of how the Christian population saved its Jewish population.
A battleship sunk at Pearl Harbor, with Lois Lowry focusing on the individual stories of the young men on board for her new book.
A book mentioned as an example of a work that has caused alarm among parents, despite its themes of children killing children being arguably more troubling than elements in 'The Giver'.
A fictional character whose boyfriend, Ned, had a roadster, which Lois Lowry recalled when inventing details for her fictional brother.
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