Key Moments

Judge Rinder | Full Q&A at The Oxford Union

Oxford UnionOxford Union
News & Politics6 min read66 min video
Aug 24, 2019|126,171 views|1,619|184
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TL;DR

Judge Rinder's career path, from a failed Oxford application to a TV star, highlights the importance of resilience and luck, with a focus on the diminishing accessibility of law due to rising student debt.

Key Insights

1

Judge Rinder felt he was "fundamentally useless" with "no talent" but could "fake it," building a career on this ability.

2

He was rejected from Oxford University after an interview question about the difference between pornography and erotica, initially devastated by this 'first very important knock'.

3

The deregulation of university fees significantly impacted accessibility, with Rinder noting he left Manchester University with only £900 of debt, a stark contrast to today's students.

4

Rinder admits he never saw a trial or went to court before becoming a barrister, emphasizing his 'first' degree and debating skills as key to his early progression.

5

The financial viability of practicing legal aid law has drastically declined, with a complex fraud trial worth £40,000 five years into his practice becoming worth only £4,500 by the time he switched focus.

6

Rinder believes that television, especially shows like 'Love Island,' despite seeming frivolous, can hold significant cultural relevance and mirror societal shifts, comparable to classic literature.

From theatre aspirations to legal realities

Judge Rinder began by recounting his early, somewhat accidental, foray into the arts, attending the National Youth Theatre at 14, though he felt he lacked genuine talent and was merely adept at 'faking it.' His initial academic aspirations led him to apply to Oxford University to study PPE, but he was rejected. The interview question about the difference between pornography and erotica, to which he gave a glib answer, marked his first significant professional setback. This rejection, though devastating at the time, led him to the University of Manchester. He notes the stark contrast in university costs then versus now, having graduated with minimal debt, which afforded him the freedom to explore academically and culturally. He contrasts this with the significant financial risk students face today. His early acting experiences, including a role in 'Julius Caesar' where he was heckled, provided valuable, albeit sometimes harsh, lessons.

The rise of debating and the unexpected path to law

Rinder attributes his progression into law primarily to his involvement in debating. He describes how, after a lack of tradition in debating at Manchester, he and a fellow student built a team that eventually reached finals at both Oxford and the World Championships. He emphasizes that this wasn't a conscious decision to pursue law, but rather a consequence of being in a debating community where becoming a barrister was a natural, almost inevitable, next step. He also highlights the significant advantage of the tutorial system at Oxford, which forces students to defend ideas, mirroring the skills required in legal practice. He acknowledges arriving at the bar without ever having seen a trial, a fact he finds surprising in retrospect but attributes to his academic achievements and debating prowess.

The evolving landscape of legal practice and financial realities

The financial pressures on legal aid have drastically altered the landscape of law, Rinder explains. He contrasts the financial rewards of his early career, where a complex fraud trial could be worth £40,000, with a similar case later becoming worth a mere £4,500. This decline made legal aid practice financially unsustainable for many, including his own chambers, forcing a shift in focus. He notes the increasing competitiveness for pupillage, with leading chambers receiving hundreds of applications for one or two positions annually. He also touches upon the historical context of the bar, where renowned advocates like Sir Desmond de Silva and Orlando Pownall did not necessarily have university degrees, a stark contrast to today's emphasis on academic qualifications.

A lucky break and high-profile cases

A pivotal moment in Rinder's career came through a seemingly serendipitous encounter in court. While acting as defense counsel, he deliberately provoked a police officer with his 'camp' demeanor, leading to the officer's outburst and a missed opportunity for the prosecution. This event caught the eye of a solicitor, Muhammad Nasser, who subsequently instructed Rinder on a high-profile case involving the first drive-by shooting in Birmingham. This led to several years of defending clients in serious gang-related cases. He recounts the case of 'R and Demetri Foskin,' where he successfully argued duress for a 19-year-old, securing an acquittal, only for the client to be shot and killed days later. This tragic event served as an 'epiphany,' shifting his perspective from merely 'doing law' to understanding its profound impact.

Transition to television and the creation of courtroom shows

Rinder's transition to television was also marked by serendipity. While working on a challenging case in Jersey, feeling disillusioned and 'bankrupt' of passion, he began writing scripts. A chance meeting with television producer Helen Warner led to an offer to sit as an arbitrator on a courtroom TV show. He initially approached television with skepticism, viewing it as potentially shallow, but found a surprisingly authentic and impactful platform. He emphasizes the importance of their cases being real and the strict regulation by Ofcom, ensuring legal integrity. He also reflects on how his legal experience, particularly in crime, gave him insights into diverse community experiences that he felt were illuminated by the Brexit vote, providing a different lens through which to understand people's lives.

Producing crime documentaries and engaging with the public

Beyond his own courtroom show, Rinder is proud of the crime documentary series he produces, which gives a platform to victims' families and the police officers who solve crimes. He sees this as a way to restore agency and control over memory for families who have lost loved ones. He also engages with the public through a weekly legal advice column in The Sun, a discipline that forces him to distill complex legal issues into concise, understandable explanations. This process, he notes, is invaluable for aspiring lawyers who need to communicate clearly. He believes everyone should have a basic understanding of the law, but acknowledges the increasing lack of legal aid for civil matters makes this challenging, highlighting the problem of defamation cases being inaccessible to those without significant wealth.

Reflections on fame, privilege, and the nature of public service

Rinder discusses his experiences with fame, particularly the public's reaction to celebrities. He firmly believes that celebrities have an obligation to engage politely with fans, viewing it as a privilege rather than an entitlement, and dismisses complaints about fan interactions. His participation in 'Strictly Come Dancing' is described as a joyous experience, offering free dancing lessons and a break from the intensity of his legal work, though it required him to step back from active practice. He also shares his profound experience making a documentary about his grandfather, a Holocaust survivor, which explores the complacency of democracy and the incremental erosion of the rule of law. This project, he notes, has resonated widely and garnered significant attention, including a BAFTA win, and a commissioned BBC series.

Advice for aspiring legal professionals and the value of diverse experiences

In his closing remarks, Rinder offers advice to aspiring lawyers, urging them not to undervalue 'non-traditional' experiences like working in pubs or retail. He believes these experiences are crucial, especially in a market where traditional academic qualifications from prestigious institutions may not hold the same weight as they once did. He stresses the importance of developing the ability to communicate complex ideas clearly and accessibly, a skill honed through his legal work and media appearances. He reiterates his belief in the fundamental right to understand the law and access justice, lamenting the ongoing corrosion of legal aid and the challenges this presents to the public.

Common Questions

Judge Rinder was accepted into the National Youth Theatre at age 14 but found himself 'dreadful' and unable to fake talent effectively, leading to an early realization of his limitations.

Topics

Mentioned in this video

People
Andrew Scott

An actor the speaker was impressed by, even taking a selfie with him.

Sister Wendy

A British art critic and nun whose quote about faking it resonated with the speaker.

Peter Tatchell

An activist the speaker took out for dinner and was starstruck by.

Donald Trump

Former US President, invoked by the speaker to comment on making grand statements.

Jane Austen

A renowned author whose works were compared to the reality TV show 'Love Island' by Alice Warner.

Hugh Grant

An actor used as a reference for the speaker's state of extreme excitement when starstruck.

Bruno Tonioli

A judge on Strictly Come Dancing who laughed at the speaker during a dance.

Desmond de Silva

A renowned advocate and the speaker's first mentor, who later became the chief war crimes prosecutor in Sierra Leone.

Maggie Smith

An actress mentioned in the context of not being impressed by famous actors after initial recognition.

Benedict Cumberbatch

An actor and friend of the speaker, whom he met on his first day at Manchester.

Will Young

A singer and fellow participant on Strictly Come Dancing with whom the speaker became friends.

Alice Warner

The speaker's goddaughter, who wrote an essay comparing 'Love Island' to Jane Austen.

Andy Peters

A television presenter from the speaker's childhood, who he was starstruck by.

Liza Minnelli

An entertainer invoked by the speaker to describe the overwhelming 'camp explosion' experienced during filming for Strictly.

Joan Collins

An actress the speaker met and was very excited by.

Chiwetel Ejiofor

The actor who played Julius Caesar in the production the speaker was part of.

Orlando Pownall

A prominent barrister in the speaker's current chambers who prosecuted major cases and had not attended university.

Karl Marx

A philosopher whose burial place at Highgate Cemetery was used as a cultural reference point with his dance partner.

Dermot O'Leary

A television presenter the speaker decided not to approach, anticipating a poor conversation.

Simon Schama

A historian mentioned as someone better equipped to discuss the complexities of the Holocaust in Western Europe.

Emma Thompson

An actress the speaker was very excited to meet.

Darcey Bussell

A judge on Strictly Come Dancing who the speaker was hugely starstruck by.

David Beckham

A famous athlete mentioned as a celebrity who also attends Barry's Bootcamp.

Len Goodman

A judge on Strictly Come Dancing, mentioned positively by the speaker.

Muhammad Nasser

A solicitor who recognized the speaker's talent and 'made his career' by instructing him on a significant case.

Demetri Foskin

A young man in a defense case who was acquitted but later shot dead, a pivotal moment for the speaker.

Calvin Grant

The ostensible head of the Johnson Crew gang, connected to the sister of the speaker's client in the Demetri Foskin case.

Boy George

A singer mentioned as an example of a more famous personality on the 'Who Do You Think You Are?' program.

Harry Styles

A musician and celebrity the speaker encountered at a gym, impressing him with his kindness.

Greg Rutherford

An athlete and fellow participant on Strictly Come Dancing with whom the speaker bonded.

Ivor Novello

A composer and actor mentioned in relation to Maggie Smith.

Craig Revel Horwood

A judge on Strictly Come Dancing, described by the speaker as the nicest.

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